Red One is four quadrant filmmaking that misses all of them most of the time.

Inside Out 2 heads to puberty territory – but really? No horny? Were these people ever 13?

Somehow, Robot Dreams did not win an Oscar in its animation category.

Woof Woof Daddy needs to go back to the pound.

If good intentions were all movies were rated on then IF would be an A+.

Po the kung fu fighting giant panda returns for more of the same in Kung Fu Panda 4.

No, Migration isn’t about brain drain.

When Table for Six 2 remembers its roots it’s a feast, but most of time it aims for haute cuisine: tiny bits that don’t fill you up.

If Hayao Miyazaki is going out after The Boy and the Heron, it’s not quite with a whimper, but it certainly isn’t a bang.

Holy crap, Wonka is actually a delight and that monster at WB didn’t hide it from us.

Yoji Yamada’s latest could probably warm the ice coldest of hearts.

The talking dogs that drive fire engines are back. This time with superpowers.

Note: Au Cheuk-man’s very dramatic Stand Up Story has hardly any stand up comedy in it.

Daishi Matsunaga takes on seminal Japanese LGBTQ+ novel Egoist and does not embarrass himself.

Wait, is this... is this good? Teenage Mutant Ninja Turtles: Mutant Mayhem reboots the old franchise to ace effect.

This isn’t the hot mess we expected, but Haunted Mansion suffers from the ‘more is just more’ syndrome.

No, no, no. Elemental does not signal the death of Pixar.

Ruby Gillman, Teenage Kraken is very, very derivative, but very, very harmless.

The world’s most famous train station pooch is back, this time in China, in Xu Ang’s Hachiko.

Yokaipedia is like a Japanese Stranger Things, including the girl, the Black kid and the upside down.