Donnie Yen positions himself as more than just an ass-kicker in The Prosecutor.

Jill Leung drops another time-and-space bending romance in Last Song for You, and holy crap it works.

This again. No, really. Mufasa: The Lion King is every Disney remake ever.

Here isn’t Forrest Gump II, but it might as well be.

Conclave is a religious thriller about an election, so there’s plenty of backstabbing and manipulation.

Oh come on, you know there’s worse out there than Kraven The Hunter.

Hou Hsiao-hsien protégé Huang Xi’s multi-generational drama Daughter’s Daughter is a classic woman’s picture.

Jia Zhangke heads back to his favourite wells in Caught by the Tides.

Strange Darling runs the cat-and-mouse serial killer genre through a sexual politics blender. It’s fabulous.

Philip Yung is back at what he does best in Papa.

How far will she go? Not sure Moana 2 will hit the cash highs of the first film, but it’s at least fun.

Here’s something you don’t see everyday: the Canuck immigration tale. Behold, Fresh Off Markham.

Yen and Ai-lee looks great but it’s kind of an empty vessel.

Ghost Cat Anzu proves there’s life after Studio Ghibli.

We’re off to see the Wizard in Jon M Chu’s proudly theatrical adaptation of Wicked.

Weekend in Taipei crosses Ts and dots Is but not much more.

Love in the Big City will make you want a do-over with your best LGBTQ+ pal.

Gird yourself for the next four years with Ali Abbasi’s 47 origin story, The Apprentice.

Yes, we’re all into The Last Dance but Riley Yip’s Blossoms Under Somewhere really deserves a look.

Is it blasphemy to suggest Gladiator II might be a smidge better than Gladiator, even without Russell Crowe?