Oh come on, you know there’s worse out there than Kraven The Hunter.

Hou Hsiao-hsien protégé Huang Xi’s multi-generational drama Daughter’s Daughter is a classic woman’s picture.

Jia Zhangke heads back to his favourite wells in Caught by the Tides.

Strange Darling runs the cat-and-mouse serial killer genre through a sexual politics blender. It’s fabulous.

Philip Yung is back at what he does best in Papa.

How far will she go? Not sure Moana 2 will hit the cash highs of the first film, but it’s at least fun.

Here’s something you don’t see everyday: the Canuck immigration tale. Behold, Fresh Off Markham.

Yen and Ai-lee looks great but it’s kind of an empty vessel.

Ghost Cat Anzu proves there’s life after Studio Ghibli.

We’re off to see the Wizard in Jon M Chu’s proudly theatrical adaptation of Wicked.

Weekend in Taipei crosses Ts and dots Is but not much more.

Love in the Big City will make you want a do-over with your best LGBTQ+ pal.

Gird yourself for the next four years with Ali Abbasi’s 47 origin story, The Apprentice.

Yes, we’re all into The Last Dance but Riley Yip’s Blossoms Under Somewhere really deserves a look.

Is it blasphemy to suggest Gladiator II might be a smidge better than Gladiator, even without Russell Crowe?

Dayo Wong continues his Robin Williams trajectory in Anselm Chan’s The Last Dance.

Red One is four quadrant filmmaking that misses all of them most of the time.

Looking for a new career? Check out Cesium Fallout and consider the civil service.

Sean Baker’s Anora is the sex worker rom-com Pretty Woman should have been.

If you've got a 10-year-old that needs a history lesson, White Bird: A Wonder Story is that lesson.