MOVIE REVIEWS
Now showing around town… maybe streaming.
Who Wants Ice Cream?
Tetsuya Chihara proves the spiritual link between design and filmmaking in Ice Cream Fever.
‘Long’ Overdue
Sho Miyake delivers another thoughtful drama for adults about adults in All the Long Nights.
There be Wails Here
52-Hertz Whales takes the voiceless metaphor a bit far, but as J-melodrama goes it’s better than most.
Shaky Foundation
Japan dives into YouTube as a source for movies with The Floor Plan. There’s a reason stuff on YouTube is 15 minutes.
Get the Gauze
Ado-rom! That’s it. 18x2 Beyond Youthful Days is a better adolescent romance than most.
Sorry, Hayao
It’s not as dark ast Kitaro, but Totto-Chan tells The Boy and the Heron’s story better.
Ghost Re-writer
Koda Gou goes there in his Kitaro origin story, The Birth of Kitaro: Mystery of GeGeGe. Brace.
Hard Times
Huang Ji’s contemporary China trilogy wraps with Golden Horse winner Stonewalling.
Perfectly Ordinary
Wim Wenders takes us to the toilet in Perfect Days, and what a trip it is.
The Long Good-bye
If Hayao Miyazaki is going out after The Boy and the Heron, it’s not quite with a whimper, but it certainly isn’t a bang.
Strike Three
Tstuomu Hanabusa wraps up the Tokyo Revengers live action adaptation in flat style.
Self-Centred
Daishi Matsunaga takes on seminal Japanese LGBTQ+ novel Egoist and does not embarrass himself.
Who’s This Now?
If you don’t already know Kenji Miyazawa, you won’t know him after Father of the Milky Way Railroad.
Save Yourselves
People, we have a contender for 2023’s biggest turkey. I give you: Onpaku.