Malaysian hit Sheriff: Narko Integriti has enough firepower to send Michael Bay into paroxysms.

52-Hertz Whales takes the voiceless metaphor a bit far, but as J-melodrama goes it’s better than most.

Boy Kills World is a lot of shock, not so much awe.

Japan dives into YouTube as a source for movies with The Floor Plan. There’s a reason stuff on YouTube is 15 minutes.

Good to see nunsploitation is alive and well in Immaculate.

Bring your earplugs because when we say Furiosa: A Mad Max Saga roars, we mean that.

Ken Loach (allegedly) puts a ribbon on a stellar career with the just fine The Old Oak.

Woof Woof Daddy needs to go back to the pound.

It’s a zombie movie. No, it’s a revenge thriller. Nope. It’s ghost story. Actually it’s just The Sin.

China has it’s anonymously located thrillers, Taiwan has haunted buildings. Exhibit F: Mystery Writers.

If good intentions were all movies were rated on then IF would be an A+.

Fan fiction? An Il Mare riff? Suicide jokes? A Balloon’s Landing is just weird and ballsy enough to be enjoyable.

Director Kim Sung-su proves action and tension can be married to political history in 12.12: The Day.

All you’ll really remember from Kingdom of the Planet of the Apes is the mo-cap monkeys you can’t tell from the real thing.

Ma Dong-seok drops his most epic flex yet with the Berlin-premiering but average sequel, The Roundup: Punishment.

Twilight of the Warriors: Walled In is the best Walled City movie since Bloodsport. Oh my.

Luca Guadagnino serves up a blistering eroto-sport-drama with some terrific tennis metaphors in Challengers.

Teddy winner Ray Yeung asks how you’d like to be thrown our of your home of 30 years for being gay in All Shall Be Well.

Finnish director Aki Kaurismäki’s absurd rom-com Fallen Leaves is a love it or hate it affair.

David Leitch, Ryan Gosling and Emily Blunt seriously go boom, in the best way, in The Fall Guy.