Lee Byung-hun gets grimy in Um Tae-hwa’s drama-disaster Concrete Utopia. Note the drama.

Smart or too smart? Amos Why dives into the mobile world in Everyphone Everywhere.

Wait, is this... is this good? Teenage Mutant Ninja Turtles: Mutant Mayhem reboots the old franchise to ace effect.

Mirror is just so 2022. Here’s comes Error with YUM Investigation, a little 1982.

If you played the “game” Gran Turismo, you may want to go back to the game Gran Turismo.

This isn’t the hot mess we expected, but Haunted Mansion suffers from the ‘more is just more’ syndrome.

For all the above-the-title talent involved, Meg 2: The Trench is pretty toothless.

Drop Barbenheimer for a hot sec and pick up Macau director Hong Heng-fai’s Kissing The Ground You Walked On.

Herman Yau’s The White Storm 3: Heaven or Hell is a lot of bang for your buck. Literally. No, like everything blows up.

It’s the ol’ “go back in time and kill X before Y” thing, but done really well in Tokyo Revengers – part one of three.

It’s chirpy. It’s pink. It’s less miserable than Oppenheimer. It’s Barbie, and it’s every bit as hyper as you think it is.

Finally! Christopher Nolan lives up to his technical prowess with Oppenheimer. And we can hear it.

Hell yes we’ll be back for Part Two after Mission: Impossible – Dead Reckoning Part One.

Insidious: The Red Door is way, way, way too much like Insidious.

Seriously, what’s with the creepy romances? Next up: Phases of the Moon.

No, no, no. Elemental does not signal the death of Pixar.

Ruby Gillman, Teenage Kraken is very, very derivative, but very, very harmless.

Indiana Jones and the Dial of Destiny wraps the franchise with more of a whimper.

Chow Yun-fat stops gambling his life away in Anthony Pun’s paean to kindness, One More Chance.

Dear lord, watch your step around #Manhole.