Disney self-pillaging is indeed part of our world, to whit, The Little Mermaid remake.

It’s no Spotlight, but Wang Jing’s The Best Is Yet to Come is more journalistic than it has a right to be.

With The Covenant Guy Ritchie heads to a war zone for his first non-urban thriller. Yes, Guy!

Fast X is Vin Diesel’s world, but Jason Momoa is here to steal it.

Proving good things come in small packages, Day Off is a little slice of nuthin’ that’s surprisingly effective.

For an idea of what Social Distancing is about, refer to the Chinese title. Just don’t expect much.

What the hell did we just see in Hypnotic? And why didn’t we totally hate it?

Lee Cronin’s Evil Dead Rise is a reboot more in line with its origins… and a whole bunch of others.

It’s over. It’s over. Guardians of the Galaxy Vol. 3 wraps up the trilogy in…meh fashion.

How can you call yourself a Top Gun knock-off if there are hardly any aerial dog fights, Born to Fly?

Is Marry My Dead Body one giant leap for LGBTQ+ equality or a drastic slide backwards into regression?

Do we need a Renfield movie? If it gets us Nicolas Cage going full Cage then yes. Yes we do.

The world’s most famous train station pooch is back, this time in China, in Xu Ang’s Hachiko.

Russell Crowe brings a Santa-ish vibe to exoricsms in Overlord director Julius Avery’s The Pope’s Exorcist.

Soi Cheang, Hong Kong’s greatest nihilist, returns with more madness, destiny, blood and guts in Mad Fate.

And maybe you don’t. Or won’t. Or just can’t with Michael Jacobs’ adaptation of his play Maybe I Do.

Iran exile at home Jafar Panahi strikes again with No Bears, a legit lockdown masterwork.

Rom-com What’s Love Got to Do with It? takes Shekhar Kapur is a long way from Bandit Queen.

Director Anastasia Tsang and stars Sylvia Chang and Simon Yam try to keep the homefires burning in A Light Never Goes Out.

Mamma mia! The Super Mario Bros. Movie will make you forget the 1993 film, but not much else.