Donnie Yen does his martial thing in the latest adaptation of Demi-Gods and Semi-Devils, Sakra.

A Guilty Conscience looks like it might ride the legal thriller wave currently crashing over Hong Kong.

If it’s January it must be time for a goofy J.Lo movie, so hello Shotgun Wedding. Bless.

The creepy and funny M3GAN carries on the grand tradition of homicidal dolls.

Does anyone really care what the reviews for The First Slam Dunk say?

Florian Zeller focuses on the second part of the family in his second feature film The Son. Mostly, anyway.

Nothing quite like some Guy Ritchie-style kinetic violence and snappy dialogue. Get me Snatch.

Like most biopics, I Wanna Dance with Somebody won’t teach you anything, but the soundtrack slaps.

If you’re obsessed with the movies, the genesis of creativity, or Steven Spielberg, The Fabelmans is a must-see.

Gross and grosser. The rich get theirs – again – in Ruben Östlund’s ambitious Triangle of Sadness.

Relax, Lam Sum’s The Narrow Road is only kinda sorta a COVID movie.

Shrek who? Antonio Banderas is back as Puss in Puss in Boots: The Last Wish.

Best not go to court armed with Fantasy•World as Exhibit A.

James Cameron returns to Pandora with the first of four Avatar sequels, Avatar: The Way of Water. And holy shit!

Iranian-Danish director Ali Abbasi follows his minor key Border with the major key Holy Spider.

Sadako DX goes back to the Ring, ahem, well. Cover that thing, already.

Even if This Love Disappears from the World Tonight. Aiyah, this again…

And So The Baton Is Passed. I have thoughts.

Do you get more excited about root canals than about Christmas? Then Violent Night is for you.

Where were you when Notre-Dame burned? In traffic if Notre Dame on Fire holds any truth.