Gird yourself for the next four years with Ali Abbasi’s 47 origin story, The Apprentice.

Austin Butler certainly makes The Bikeriders look cool – or maybe it's the other way around.

How much you enjoy The Monk and the Gun will directly correlate to how much you breathe in peace and harmony.

Another week another Korean political thriller that mines history. This week: hijacking thriller Hijack 1971.

Fly Me to the Moon is precision engineered to be the cool summer diversion you need in 36º.

Director Kim Sung-su proves action and tension can be married to political history in 12.12: The Day.

The Ministry of Ungentlemanly Warfare is no Snatch, but it’s far from the gunk of Operation Fortune.

Arthur the King is precisely what you want it to be.

Italian diretor Matteo Garrone leaves the mean streets behind in favour of a plea for humanity in Io Capitano.

It’s not as dark ast Kitaro, but Totto-Chan tells The Boy and the Heron’s story better.

Anthony Hopkins makes the British Oskar Schindler into a compellign wartime hero in the otherwise honourable, but pedestrian, One Life.

Might as well cue up a Spotify playlist. You’ll learn as much as you will from Bob Marley: One Love.

Yuya Ishii’s The Moon has a whole lot to say, just not entirely coherently.

Yes, the Holocaust really happened, and yes The Zone of Interest is as incredible as you’ve heard.

Moscow Mission is not Hermna Yau at his exploitation best. Also: Moscow.

Michael Mann takes a detour from his usual stylish road for a biopic about the creator of the ultimate midlife crisis toy in Ferrari.

Taika Waititi is clearly a very, very tired filmmaker if Next Goal Wins is any indication.

Felix Chong, Tony Leung and Andy Lau should be a cocktail for a great thriller. The Goldfinger is… okay.

In truth, Sound of Freedom isn’t that Jesusy. It’s also not that good.

Lawrence Kan delivers Hong Kong’s own Spotlight with In Broad Daylight and delivers props to journos while he’s at it.