Ken Loach (allegedly) puts a ribbon on a stellar career with the just fine The Old Oak.

Fan fiction? An Il Mare riff? Suicide jokes? A Balloon’s Landing is just weird and ballsy enough to be enjoyable.

Director Kim Sung-su proves action and tension can be married to political history in 12.12: The Day.

Luca Guadagnino serves up a blistering eroto-sport-drama with some terrific tennis metaphors in Challengers.

Teddy winner Ray Yeung asks how you’d like to be thrown our of your home of 30 years for being gay in All Shall Be Well.

Finnish director Aki Kaurismäki’s absurd rom-com Fallen Leaves is a love it or hate it affair.

Arthur the King is precisely what you want it to be.

Italian diretor Matteo Garrone leaves the mean streets behind in favour of a plea for humanity in Io Capitano.

First-timer Sasha Chuk gets personal in the semi-autobiographical Fly Me to the Moon.

Ado-rom! That’s it. 18x2 Beyond Youthful Days is a better adolescent romance than most.

YOLO proves that sometimes once is enough.

Anthony Hopkins makes the British Oskar Schindler into a compellign wartime hero in the otherwise honourable, but pedestrian, One Life.

Might as well cue up a Spotify playlist. You’ll learn as much as you will from Bob Marley: One Love.

The Lyricist Wannabe will tell you why we should have a little more respect for Cantopop.

Da’Vine Joy Randolph steals the show in Alexander Payne’s latest angsty white guy drama, The Holdovers.

Yuya Ishii’s The Moon has a whole lot to say, just not entirely coherently.

How marvelous! Yorgos Lanthimos and Emma Stone strike again in Poor Things.

What kind of apocalyptic thriller has no gunfire? Mahalia Belo’s The End We Start From kind.

Huang Ji’s contemporary China trilogy wraps with Golden Horse winner Stonewalling.

Yes, the Holocaust really happened, and yes The Zone of Interest is as incredible as you’ve heard.