Zhang Mo carries on the fast emerging trend of Macau as a dangerous, fictional SEA quasi-Chinese city in the bananas Last Suspect.

Ann Hui’s appropriately titled Elegies makes us wonder who she’s eulogising.

In truth, Sound of Freedom isn’t that Jesusy. It’s also not that good.

The latest Ridley Scott Epic™, Napoleon, sure does look great…

Will you look at that. The Hunger Games prequel is 2/3s better than the OG series.

Horror maestro Eli Roth steps behind the camera again for a gory spin on that most singular of US holidays, Thanksgiving.

Nick Cheuk makes his debut with the rightly provocative Time Still Turns The Pages.

The Marvels does not live up to its title. Except for the cats.

Tstuomu Hanabusa wraps up the Tokyo Revengers live action adaptation in flat style.

The Pig, the Snake and the Pigeon is out of its damn mind. But in a good way.

Lawrence Kan delivers Hong Kong’s own Spotlight with In Broad Daylight and delivers props to journos while he’s at it.

Come for the animatronics… not sure why to stay beyond that.

Shunji Iwai strikes again. If you dig Iwai, have at it.

Jonathan Li reteams with producer Soi Cheang and star Gordon Lam for nihilism-lite, in Dust to Dust.

Go read chapter 7 of Dracula, come back and watch The Last Voyage of the Demeter.

That other Korean director, Kim Jee-woon, goes back to his comedy roots to send up the movies in Cobweb.

As a paean to a vanishing Hong Kong Band Four lays it on real thick.

Please drop a message if you can tell us what happened in Under the Light.

It’s hard to recommend a film where the star is a dick, but we’ll make an exception for Christrian Petzold’s Afire.

Exhibit A in why Martin Scorsese gets to dis Marvel: Killers of the Flower Moon.