The Ugly has got to be one of the most frustrating films of the year so far.

If ever there were a time to really just stick with the procedural stuff, it’s in Relay.

Exit 8, strangely, is not about getting lost in the Tokyo subway, a horror all its own.

Malice would be a better movie for the questions it doesn’t ask.

Haunted Mountains: The Yellow Taboo makes the urban legend shocker an official sub-genre.

“I know” is the key element in the latest legacy sequel I Know What You Did Last Summer, but gentle.

28 Years Later is not the zombie movie you’re expecting. That’s good.

Thai supermodels grow durians in the marriage equality thriller The Paradise of Thorns. You read that right.

Organ Child may not be the worst, but it’s surely the stupidest movie of the year so far.

Louis Koo doesn’t exactly break bad in Behind the Shadows but he does leave his cool guy image at the door.

Mission: Impossible – The Final Reckoning is exhausting…

Not to be confused with Monkey Shines, The Monkey is clearly Osgood Perkins on vacation.

Someone tell me what the hell is going on in Flight Risk.

Huzzah! It’s a new SEA Hellhole Thriller, Octopus with Broken Arms. Brace for impact.

Strange Darling runs the cat-and-mouse serial killer genre through a sexual politics blender. It’s fabulous.

Weekend in Taipei crosses Ts and dots Is but not much more.

The final 30 minutes of High Forces is bananas in a great way.

Jameses Watkins and McAvoy team up for a totally respectable remake of Eurothriller Speak No Evil.

Zoë Kravitz's feminist thriller Blink Twice shouldn't be as much fun as it is.

A Place Called Silence once again takes us to an anonymous SEA hellhole. I’m tired.