Is newcomer Nate Ki’s Back Home the next steap in Hong Kong horror? Could be.

His debut film Sleep has yet to confirm a release here, but Korean director Jason Yu is one to watch.

Can someone please give The Nun her own movie instead of pacifying us with The Nun II?

If you don’t already know Kenji Miyazawa, you won’t know him after Father of the Milky Way Railroad.

It’s Ha Jung-woo and Ju Ji-hoon to the rescue in Middle East hostage thriller Ransomed.

G.But is back already, and until he gives us our Den of Thieves sequel, we’ve got Kandahar.

Third time’s a charm for the Fuqua-Washington whup-ass team in the satisfying The Equalizer 3.

People, we have a contender for 2023’s biggest turkey. I give you: Onpaku.

Go watch Blue Giant and listen to it.

Adele Lim’s Joy Ride is straight up funny AF, whether you’re Asian, American, female, male or other.

It Remains doesn’t really…

Taiwanese director Giddens Ko rounds up his usual suspects for the kooky gangster rom-com Miss Shampoo.

Just… see Apichatpong Weerasethakul’s Memoria for yourself.

Fire up the metronome. The Chinese animated blockbuster Chang An makes poets kick ass.

Oh, you came so close to nutty perfection, Lost in the Stars. So close…

Playwright Celine Song makes her film debut with the semi-autobiographical Past Lives. You might want tissues.

The Flash didn’t suck, but Blue Beetle is actually kind of good.

Lee Byung-hun gets grimy in Um Tae-hwa’s drama-disaster Concrete Utopia. Note the drama.

Smart or too smart? Amos Why dives into the mobile world in Everyphone Everywhere.

Wait, is this... is this good? Teenage Mutant Ninja Turtles: Mutant Mayhem reboots the old franchise to ace effect.