Director Anastasia Tsang and stars Sylvia Chang and Simon Yam try to keep the homefires burning in A Light Never Goes Out.

First time director Ray Lau Kok-rui tackles racism in Hong Kong, yeah racism, in The Sunny Side of the Street. Deal.

Wong Hing-fan’s Aaron Kwok-starrer Cyber Heist arrives to put the hacking hijinks of The Net to shame.

Sammi Cheng flexes her acting chops in debuting director Ka Sing-fung’s family foster drama Lost Love.

Blows is a good word with which to describe the long-delayed crime epic Where The Wind Blows.

Mabel Cheung turns documentarian for her portrait of a Ying Wa generation in To My Nineteen-Year-Old Self.

Kiwi Chow returns to his sentimental, youthful roots with Say I Do to Me.

Donnie Yen does his martial thing in the latest adaptation of Demi-Gods and Semi-Devils, Sakra.

A Guilty Conscience looks like it might ride the legal thriller wave currently crashing over Hong Kong.

Relax, Lam Sum’s The Narrow Road is only kinda sorta a COVID movie.

One of Hong Kong’s most sensational crimes get the cinematic treatment in first time director Ho Cheuk-tin’s The Sparring Partner.

What Tales from the Occult does best is make us think of other, better Hong Kong horror films.

It’s still moon-based! Sunny Chan’s rejiggered LNY comedy Table for Six hits the right notes for Mid-Autumn.

Producer-star Louis Koo taps VFX pro Ng Yuen-fai to help prove there is such a thing as HK SF.

Strap in: MIRROR is in a movie. Also, Mama’s Affair is Kearen Pang’s solid follow-up to her impressive debut.

Amos Why sets the apocalypse aside for the COVID rom-com Far Far Away.

Septet is Johnnie To’s labour of love letter to Hong Kong, but some of the notes are nasty.

For a LNY comedy, Chilli Laugh Story is awfully serious – but not too serious.

A Murder Erased has to be seen to be believed.

Louis Koo weathers another Storm.