Don't know anything about Mongolian cinema? Lkhagvadulam Purev-Ochir’s City of Wind is a good place to start.

It's right there in the title if not the trailer: Love Lies isn't any kind of thriller. It's pure romance.

Beetlejuice Beetlejuice isn't embarrassing but it's hardly a triumphant return to form.

The black dog and Eddie Peng are a pleasure in Guan Hu's Black Dog. The rest not so much.

The Crow flies again, and you should really just read the comic.

Baltasar Kormákur's Touch is all the feels.

Osgood Perkins and Nicolas Cage make beautiful psycho music together in Longlegs.

Zoë Kravitz's feminist thriller Blink Twice shouldn't be as much fun as it is.

Making someone question their sanity is hilarious! Or so Yan Fei and Peng Damo's Successor thinks.

Christy Hall puts Dakota Johnson in Sean Penn's creepy cab in the two-hander Daddio.

How much you enjoy The Monk and the Gun will directly correlate to how much you breathe in peace and harmony.

Alien: Romulus sends the franchise back to horror territory under the gooey hand of Fede Álvarez.

Cho Jung-seok toplines Kim Han-gyul’s retro gender comedy Pilot and leaves its worst instincts behind.

Thelma may not be The Beekeeper, but she’s her own kind of geriatric hero.

If you want to see Cate Blanchett suck for a change, check out Borderlands.

M Night Shyamalan and Josh Hartnett are seriously on their games in Trap.

A Place Called Silence once again takes us to an anonymous SEA hellhole. I’m tired.

You just know Jessica Hausner’s Club Zero will be memorable for That One Scene.

Another week another Korean political thriller that mines history. This week: hijacking thriller Hijack 1971.

Alice Rohrwacher’s La chimera is a beast of a film, in a good way.