Koda Gou goes there in his Kitaro origin story, The Birth of Kitaro: Mystery of GeGeGe. Brace.

Yuya Ishii’s The Moon has a whole lot to say, just not entirely coherently.

Denis Villeneuve continues his deep dive into Frank Herbert’s sci-fi classic with Dune: Part Two.

How marvelous! Yorgos Lanthimos and Emma Stone strike again in Poor Things.

Yup. Another anonymously moralising thriller set in the foul depths of unnamed Southeast Asia. Why?

What kind of apocalyptic thriller has no gunfire? Mahalia Belo’s The End We Start From kind.

Huang Ji’s contemporary China trilogy wraps with Golden Horse winner Stonewalling.

Yes, the Holocaust really happened, and yes The Zone of Interest is as incredible as you’ve heard.

Nope. Madame Web is not worse than Morbius and it has girls. Get over it.

Hey, at least this My Missing Valentine is a little less pervy than the original.

No, Migration isn’t about brain drain.

When Table for Six 2 remembers its roots it’s a feast, but most of time it aims for haute cuisine: tiny bits that don’t fill you up.

Ignore the trailer: The Moon Thi4v3s is a solid heist drama with a standout turn by Michael Ning.

If Argylle sets off a Scottish Fold buying spree that’s another reason for disappointment.

Johnny Keep Walking! has a delicious satirical bite – until it doesn’t.

If you felt Alienoid was a true cliffhanger, brace for the fall in Alienoid: Return to the Future.

Death Whisperer has little going for it, but the hero is handsome! Which it points out repeatedly.

Whatever you do, don’t see The Pot-au-Feu hungry, or with a touch of wanderlust.

Moscow Mission is not Hermna Yau at his exploitation best. Also: Moscow.

Wim Wenders takes us to the toilet in Perfect Days, and what a trip it is.