If nothing else A Haunting in Venice will make you want to get on a plane.

Note: Au Cheuk-man’s very dramatic Stand Up Story has hardly any stand up comedy in it.

Daishi Matsunaga takes on seminal Japanese LGBTQ+ novel Egoist and does not embarrass himself.

Danny and Michael Philippou come really, really close to horror greatness in Talk to Me. But, please. No more dead family.

Is newcomer Nate Ki’s Back Home the next steap in Hong Kong horror? Could be.

Can someone please give The Nun her own movie instead of pacifying us with The Nun II?

If you don’t already know Kenji Miyazawa, you won’t know him after Father of the Milky Way Railroad.

It’s Ha Jung-woo and Ju Ji-hoon to the rescue in Middle East hostage thriller Ransomed.

G.But is back already, and until he gives us our Den of Thieves sequel, we’ve got Kandahar.

Third time’s a charm for the Fuqua-Washington whup-ass team in the satisfying The Equalizer 3.

People, we have a contender for 2023’s biggest turkey. I give you: Onpaku.

Go watch Blue Giant and listen to it.

Adele Lim’s Joy Ride is straight up funny AF, whether you’re Asian, American, female, male or other.

It Remains doesn’t really…

Taiwanese director Giddens Ko rounds up his usual suspects for the kooky gangster rom-com Miss Shampoo.

Just… see Apichatpong Weerasethakul’s Memoria for yourself.

Fire up the metronome. The Chinese animated blockbuster Chang An makes poets kick ass.

Oh, you came so close to nutty perfection, Lost in the Stars. So close…

Playwright Celine Song makes her film debut with the semi-autobiographical Past Lives. You might want tissues.

The Flash didn’t suck, but Blue Beetle is actually kind of good.