Come see dumb college dickheads get eaten by sharks.

Florence Pugh’s fondness for Aperol and Harry Styles’ acting are the least of Don’t Worry Darling’s problems.

The North Sea proves that we need the Norwegians to take care of our oil disasters.

Brett Morgan’s definitive David Bowie doc Moonage Daydream does the artist justice, at least as best it can.

It’s gorgeous, but get a double espresso before taking your seat at Before, Now & Then.

What Tales from the Occult does best is make us think of other, better Hong Kong horror films.

The Hunger Crawdads. No, sorry. Twidads? No, no, that’s not right. Where the Crawdads Sing. That’s it!

Fall is every bit as dizzying as you’d expect, grimly and gloriously so.

Disney’s remake of its own Pinocchio proves the Mouse has turned into George Lucas: it just can’t leave it alone.

The North and the South are two great tastes tasting great together again in Confidential Assignment 2: International, with added Americans!

It’s still moon-based! Sunny Chan’s rejiggered LNY comedy Table for Six hits the right notes for Mid-Autumn.

Forrest Gump goes to India in Laal Singh Chaddha. And we mean that literally.

Idris Elba faces off against the King of the Jungle in Beast in the year’s second most hilarious animal throwdown.

Holy shit! Idris Elba comes out of a lamp in Three Thousand Years of Longing.

It’s hella stupid but Orphan: First Kill really goes there and in doing so betters the original.

The re-edited, 4K edition of Francis Ford Coppola’s The Outsiders: The Complete Novel is a minor feast for movie buffs.

Producer-star Louis Koo taps VFX pro Ng Yuen-fai to help prove there is such a thing as HK SF.

There’s only been three, but Nope is Jordan Peele’s best film so far.

Alienoid is a big swing and a big miss. Here’s hoping it pulls a win out of part two.

Fireheart is the kind of ‘I am woman, hear me roar’ every eight-year-old girl needs.