Strange Darling runs the cat-and-mouse serial killer genre through a sexual politics blender. It’s fabulous.

Weekend in Taipei crosses Ts and dots Is but not much more.

The final 30 minutes of High Forces is bananas in a great way.

Jameses Watkins and McAvoy team up for a totally respectable remake of Eurothriller Speak No Evil.

Zoë Kravitz's feminist thriller Blink Twice shouldn't be as much fun as it is.

A Place Called Silence once again takes us to an anonymous SEA hellhole. I’m tired.

Seriously, does Herman Yau sleep?

Go find Soi Cheang’s Accident instead of risking a splitting headache with The Plot.

In part one of Herman Yau Summer 2024, Crisis Negotiators won’t make you forget the original, but it’s still better than part two.

Malaysian hit Sheriff: Narko Integriti has enough firepower to send Michael Bay into paroxysms.

It’s a zombie movie. No, it’s a revenge thriller. Nope. It’s ghost story. Actually it’s just The Sin.

Italian diretor Matteo Garrone leaves the mean streets behind in favour of a plea for humanity in Io Capitano.

Alex Garland’s Civil War isn’t what you think it is and it’s not going to serve any of our biases.

Yuya Ishii’s The Moon has a whole lot to say, just not entirely coherently.

Nope. Madame Web is not worse than Morbius and it has girls. Get over it.

Ignore the trailer: The Moon Thi4v3s is a solid heist drama with a standout turn by Michael Ning.

Russell the Younger and debuting director Bryce McGuire almost pull off a perfect pool routine in Night Swim. Almost.

Maybe it’s us. Abang Adik isn’t quite the revelation we’re being sold.

Coup de Chance is a Woody Allen movie. I don’t think any other details are required.

Zhang Mo carries on the fast emerging trend of Macau as a dangerous, fictional SEA quasi-Chinese city in the bananas Last Suspect.