Hou Hsiao-hsien protégé Huang Xi’s multi-generational drama Daughter’s Daughter is a classic woman’s picture.

Yen and Ai-lee looks great but it’s kind of an empty vessel.

It's unsexy times all around in The Chronicles of Libidoists.

Taiwanese director Leading Li goes back in time for his LGBTQ genre mash-up, The Time of Huan Nan.

China has it’s anonymously located thrillers, Taiwan has haunted buildings. Exhibit F: Mystery Writers.

Fan fiction? An Il Mare riff? Suicide jokes? A Balloon’s Landing is just weird and ballsy enough to be enjoyable.

Ado-rom! That’s it. 18x2 Beyond Youthful Days is a better adolescent romance than most.

Love is a Gun is artsy enough for Critics’ Week. Do with that what you will.

Yes, there’s a death, but Blue Lan’s coming-of-age dramedy After School carries a welcome respite from LGBTQ+ misery.

The Bridge Curse 2: Ritual has a bad case of sequelitis.

The Pig, the Snake and the Pigeon is out of its damn mind. But in a good way.

Taiwanese director Giddens Ko rounds up his usual suspects for the kooky gangster rom-com Miss Shampoo.

Where would wuxia films be without King Hu? No where, if you believe The King of Wuxia Part 1.

Proving good things come in small packages, Day Off is a little slice of nuthin’ that’s surprisingly effective.

Is Marry My Dead Body one giant leap for LGBTQ+ equality or a drastic slide backwards into regression?

It’s not just an American/Canadian/Australian screw up. Laha Mebow explores indigenous life in Taiwan in GAGA.

Best not go to court armed with Fantasy•World as Exhibit A.

Taiwanese-American director Arvin Chen returns with Mama Boy. Hoo boy…

Ryan Tu leaves Light the Night to try an earlier meal in high school rom-com My Best Friend’s Breakfast.