Cho Jung-seok toplines Kim Han-gyul’s retro gender comedy Pilot and leaves its worst instincts behind.

Another week another Korean political thriller that mines history. This week: hijacking thriller Hijack 1971.

Project Silence features what could be actor Lee Sun-kyun’s last performance. That’s a shame.

Go find Soi Cheang’s Accident instead of risking a splitting headache with The Plot.

It’s a zombie movie. No, it’s a revenge thriller. Nope. It’s ghost story. Actually it’s just The Sin.

Director Kim Sung-su proves action and tension can be married to political history in 12.12: The Day.

Ma Dong-seok drops his most epic flex yet with the Berlin-premiering but average sequel, The Roundup: Punishment.

All of Jang Jae-hyun’s films so far led to Exhuma.

If you felt Alienoid was a true cliffhanger, brace for the fall in Alienoid: Return to the Future.

That other Korean director, Kim Jee-woon, goes back to his comedy roots to send up the movies in Cobweb.

If everyone in The Martian were really dumb…

His debut film Sleep has yet to confirm a release here, but Korean director Jason Yu is one to watch.

It’s Ha Jung-woo and Ju Ji-hoon to the rescue in Middle East hostage thriller Ransomed.

Lee Byung-hun gets grimy in Um Tae-hwa’s drama-disaster Concrete Utopia. Note the drama.

Tape up your ribcage. Ma Dong-seok punches his way through the latest in the burgeoning franchise in The Roundup: No Way Out.

Soulmate moves Soul Mate from China to South Korea and it’s anyone’s guess why they bothered.

Your favourite Korean television stars are swapping lives in the too-late-for-the season Switch.

Hostage-chic continues in Yim Soon-rye’s The Point Men.

The North and the South are two great tastes tasting great together again in Confidential Assignment 2: International, with added Americans!

Alienoid is a big swing and a big miss. Here’s hoping it pulls a win out of part two.