GL goes deep space and underwater in Thanadol Nualsuth’s Uranus 2324, Thailand’s first semi-scifi epic.

We can only hope It Ends With Us is the end of it.

It's right there in the title if not the trailer: Love Lies isn't any kind of thriller. It's pure romance.

The Crow flies again, and you should really just read the comic.

Baltasar Kormákur's Touch is all the feels.

Fan fiction? An Il Mare riff? Suicide jokes? A Balloon’s Landing is just weird and ballsy enough to be enjoyable.

Luca Guadagnino serves up a blistering eroto-sport-drama with some terrific tennis metaphors in Challengers.

Finnish director Aki Kaurismäki’s absurd rom-com Fallen Leaves is a love it or hate it affair.

David Leitch, Ryan Gosling and Emily Blunt seriously go boom, in the best way, in The Fall Guy.

Ado-rom! That’s it. 18x2 Beyond Youthful Days is a better adolescent romance than most.

Hey, at least this My Missing Valentine is a little less pervy than the original.

Whatever you do, don’t see The Pot-au-Feu hungry, or with a touch of wanderlust.

The real masterstroke of Todd Haynes’ May December is making a woman who groomed a teen compelling.

Coup de Chance is a Woody Allen movie. I don’t think any other details are required.

Léa Seydoux is an absolute star in Mia Hansen-Løve’s sexy, smart, mid-life drama, One Fine Morning.

Daishi Matsunaga takes on seminal Japanese LGBTQ+ novel Egoist and does not embarrass himself.

Playwright Celine Song makes her film debut with the semi-autobiographical Past Lives. You might want tissues.

It’s the ol’ “go back in time and kill X before Y” thing, but done really well in Tokyo Revengers – part one of three.

Seriously, what’s with the creepy romances? Next up: Phases of the Moon.

Do you actually think Both Sides of the Blade’s love triangle, as interpreted by Claire Denis, will be simple?