Stunt twins Albert and Herbert Leung travel back to the bad ol' days of Hong Kong action in Stuntman.

It's right there in the title if not the trailer: Love Lies isn't any kind of thriller. It's pure romance.

Did you take the DSE? Want to take it again? Fair warning.

Seriously, does Herman Yau sleep?

In part one of Herman Yau Summer 2024, Crisis Negotiators won’t make you forget the original, but it’s still better than part two.

Twilight of the Warriors: Walled In is the best Walled City movie since Bloodsport. Oh my.

Teddy winner Ray Yeung asks how you’d like to be thrown our of your home of 30 years for being gay in All Shall Be Well.

First-timer Sasha Chuk gets personal in the semi-autobiographical Fly Me to the Moon.

Tsang Tsui-shan heads back to the village in the third in her unofficial Ho Chung trilogy, Winter Chants.

The Lyricist Wannabe will tell you why we should have a little more respect for Cantopop.

When Table for Six 2 remembers its roots it’s a feast, but most of time it aims for haute cuisine: tiny bits that don’t fill you up.

Ignore the trailer: The Moon Thi4v3s is a solid heist drama with a standout turn by Michael Ning.

Deliverance is a movie.

Holy crap I Did It My Way has some great comedy in it. Too bad it’s accidental.

The highs, the lows, the little things that shaped the year in cinema in Hong Kong.

Felix Chong, Tony Leung and Andy Lau should be a cocktail for a great thriller. The Goldfinger is… okay.

Ann Hui’s appropriately titled Elegies makes us wonder who she’s eulogising.

Nick Cheuk makes his debut with the rightly provocative Time Still Turns The Pages.

Lawrence Kan delivers Hong Kong’s own Spotlight with In Broad Daylight and delivers props to journos while he’s at it.

Jonathan Li reteams with producer Soi Cheang and star Gordon Lam for nihilism-lite, in Dust to Dust.