Jill Leung drops another time-and-space bending romance in Last Song for You, and holy crap it works.

Here isn’t Forrest Gump II, but it might as well be.

Conclave is a religious thriller about an election, so there’s plenty of backstabbing and manipulation.

Hou Hsiao-hsien protégé Huang Xi’s multi-generational drama Daughter’s Daughter is a classic woman’s picture.

Jia Zhangke heads back to his favourite wells in Caught by the Tides.

Strange Darling runs the cat-and-mouse serial killer genre through a sexual politics blender. It’s fabulous.

Philip Yung is back at what he does best in Papa.

Here’s something you don’t see everyday: the Canuck immigration tale. Behold, Fresh Off Markham.

Yen and Ai-lee looks great but it’s kind of an empty vessel.

We’re off to see the Wizard in Jon M Chu’s proudly theatrical adaptation of Wicked.

Love in the Big City will make you want a do-over with your best LGBTQ+ pal.

Gird yourself for the next four years with Ali Abbasi’s 47 origin story, The Apprentice.

Yes, we’re all into The Last Dance but Riley Yip’s Blossoms Under Somewhere really deserves a look.

Dayo Wong continues his Robin Williams trajectory in Anselm Chan’s The Last Dance.

Sean Baker’s Anora is the sex worker rom-com Pretty Woman should have been.

If you've got a 10-year-old that needs a history lesson, White Bird: A Wonder Story is that lesson.

Kudos. Sean Wang's Didi in Didi is one of the movie's most insufferable kids ever.

The Substance is angry, cathartic, "Fuck you" filmmaking of the best kind and Demi Moore is a treasure.

Fair warning: Joker: Folie à Deux isn't much of a musical. Or a movie.

Chen Sicheng's Decoded asks a lot of viewers, such as "What is this movie about?"