Who knew we needed a sequel to The Accountant? Evidently Gavin O’Connor and Ben Affleck did.

The Uniform is a love triangle melodrama first, class-based education piss-take second.

Oliver Chan’s Montages of a Modern Motherhood is a film you respect, not one you have fun at.

Smashing Frank is Trevor Choi’s second film but first feature, and it runs on sheer will.

Yo, is Oscar-winner Rami Malek faking it? Because it sure seems like it in The Amateur.

Dog on Trial is one of those movies that shouldn’t really work, but somehow kind of does.

First Kiss sends Takako Matsu back in time to save her marriage in yet another time-bending romance.

You will go in search of a croque monsieur after Grand Maison Paris.

If nothing Nick Cheung’s Peg O’ My Heart is ambitious…

Pierce is a clinic in how even the best ingredients can spoil the soup.

The Solitary Gourmet is one part food movie, one part travelogue, all TV series.

True Love, for Once In My Life could be the definition of current Hong Kong cinema.

Brady Corbet’s The Brutalist is all the cinema.

Bong Joon-ho still hates the rich, but he adds demagogues to the mix in Mickey 17.

Aside from positing 38 is practically dead, Salli is an inoffensive coming of romantic age drama.

Angelina Jolie closes Pablo Larrain’s bad bitch trilogy in Maria, but she’s not the baddest.

Bridget Jones: Mad About the Boy signals an ending. Thankfully.

Living in Two Worlds means well, but that doesn’t make it particularly exciting.

Hong Kong really isn’t the place for Emmanuelle’s sexual hijinks, unless luxury hotels turn you on.

Pedro Almodóvar’s The Room Next Door is a meditation on death that’s really about life.