Sean Baker’s Anora is the sex worker rom-com Pretty Woman should have been.

If you've got a 10-year-old that needs a history lesson, White Bird: A Wonder Story is that lesson.

Kudos. Sean Wang's Didi in Didi is one of the movie's most insufferable kids ever.

The Substance is angry, cathartic, "Fuck you" filmmaking of the best kind and Demi Moore is a treasure.

Fair warning: Joker: Folie à Deux isn't much of a musical. Or a movie.

Chen Sicheng's Decoded asks a lot of viewers, such as "What is this movie about?"

It's unsexy times all around in The Chronicles of Libidoists.

Stunt twins Albert and Herbert Leung travel back to the bad ol' days of Hong Kong action in Stuntman.

Austin Butler certainly makes The Bikeriders look cool – or maybe it's the other way around.

We can only hope It Ends With Us is the end of it.

Don't know anything about Mongolian cinema? Lkhagvadulam Purev-Ochir’s City of Wind is a good place to start.

It's right there in the title if not the trailer: Love Lies isn't any kind of thriller. It's pure romance.

The black dog and Eddie Peng are a pleasure in Guan Hu's Black Dog. The rest not so much.

Baltasar Kormákur's Touch is all the feels.

Making someone question their sanity is hilarious! Or so Yan Fei and Peng Damo's Successor thinks.

Christy Hall puts Dakota Johnson in Sean Penn's creepy cab in the two-hander Daddio.

How much you enjoy The Monk and the Gun will directly correlate to how much you breathe in peace and harmony.

Thelma may not be The Beekeeper, but she’s her own kind of geriatric hero.

You just know Jessica Hausner’s Club Zero will be memorable for That One Scene.

Another week another Korean political thriller that mines history. This week: hijacking thriller Hijack 1971.