If you've got a 10-year-old that needs a history lesson, White Bird: A Wonder Story is that lesson.

Austin Butler certainly makes The Bikeriders look cool – or maybe it's the other way around.

We can only hope It Ends With Us is the end of it.

Baltasar Kormákur's Touch is all the feels.

Sho Miyake delivers another thoughtful drama for adults about adults in All the Long Nights.

For a first film with a huge shadow looming over it The Watchers isn’t bad. It’s just not great.

52-Hertz Whales takes the voiceless metaphor a bit far, but as J-melodrama goes it’s better than most.

Twilight of the Warriors: Walled In is the best Walled City movie since Bloodsport. Oh my.

The Ministry of Ungentlemanly Warfare is no Snatch, but it’s far from the gunk of Operation Fortune.

Arthur the King is precisely what you want it to be.

First-timer Sasha Chuk gets personal in the semi-autobiographical Fly Me to the Moon.

It’s not as dark ast Kitaro, but Totto-Chan tells The Boy and the Heron’s story better.

Anthony Hopkins makes the British Oskar Schindler into a compellign wartime hero in the otherwise honourable, but pedestrian, One Life.

The Lyricist Wannabe will tell you why we should have a little more respect for Cantopop.

Yuya Ishii’s The Moon has a whole lot to say, just not entirely coherently.

Denis Villeneuve continues his deep dive into Frank Herbert’s sci-fi classic with Dune: Part Two.

How marvelous! Yorgos Lanthimos and Emma Stone strike again in Poor Things.

What kind of apocalyptic thriller has no gunfire? Mahalia Belo’s The End We Start From kind.

Yes, the Holocaust really happened, and yes The Zone of Interest is as incredible as you’ve heard.

Death Whisperer has little going for it, but the hero is handsome! Which it points out repeatedly.